۱۳۹۰-۴-۷، ۰۹:۲۸ عصر
شهرسازي مدرن و بازتاب آن در ادبيات اگزيستانسياليستي
عنوان (انگلیسی): Modern Urbanism Reflecting in Existentialistic Literature
نشریه: نشريه هنرهاي زيبا- معماري و شهرسازي
شماره: نشريه هنرهاي زيبا- معماري و شهرسازي (دوره: ۱، شماره: ۳۸)
نویسنده: مهرناز مولوي
چکیده:
با انقلاب صنعتي ماشين بر زندگي انسان غلبه كرد. در آغاز انسان شيفته ماشين شد. شيفته نظم، اتوماسيون و كارآيي آن . سپس سعي كرد اين نظم ماشين وار را بر زندگي خود منطبق كند و محيطي كاملاً منظم، پاكيزه و پيش بيني شده بسازد. بدين ترتيب شهرسازي مدرن پا به عرصه گذاشت. در مقايسه با محيط بي نور، بي هوا و آلوده ي دوران صنعتي شدن، شهرسازي مدرن نويد محيطي بهداشتي، ايمن و عادلانه را مي داد. اما انسان بتدريج احساس كرد اين محيط تميز و منظم، ساختگي، غير صميمي و حتي تهديد كننده است. انسان كم كم خود به مهره اي بدل مي شد كه مي‌بايست به عنوان جزئي از يك ماشين عظيم كه شهر مدرن ناميده مي شد، عمل كند. ازخودبيگانگي اولين دستاورد اين محيط بودكه يگانگي هر انسان را زير سئوال مي برد. سپس انسان در واكنشي اعتراضي شروع به تحسين عدم توازن، ناسازگاري و زشتي كرد. بتدريج زشتي معناي متعارف خود را از دست داد و بدين ترتيب زيبايي شناسي زشتي پديد آمد. اين مقاله درصدد است آثار و نتايج شهرسازي مدرنيستي را در ادبيات معاصر بررسي كرده و جستجوي راه حل را در سبك هاي اواخر قرن بيستم رديابي نمايد.
چکیده (انگلیسی):
Emerging of the industrial revolution caused the dominance of machine in man`s life. At the beginning, man was fascinated by machine; by its order, automation, and its efficiency. Then he tried to adapt this mechanistic order to his life and create a completely ordered, clean and predictable environment. Thus modern urbanism appeared. In comparison with dark, airless and contaminated industrial environment, modernistic urbanism promised a hygienic, safe and just one. However, man gradually felt that this clean and neat environment is artificial, insincere, and even threatening. Man himself was transforming to a knot which had to act as a small part of a huge machine named modern city. Alliance was the first product of this environment, which looked doubtfully to man`s uniqueness and demanded him only similarity. Emerging of the industrial revolution caused the dominance of machine in man`s life. At the beginning, man was fascinated by machine; by its order, automation, and its efficiency. Then he tried to adapt this mechanistic order to his life and create a completely ordered, clean and predictable environment. Thus modern urbanism appeared. In comparison with dark, airless and contaminated industrial environment, modernistic urbanism promised a hygienic, safe and just one. However, man gradually felt that this clean and neat environment is artificial, insincere, and even threatening. Man himself was transforming to a knot which had to act as a small part of a huge machine named modern city. Alliance was the first product of this environment, which looked doubtfully to man`s uniqueness and demanded him only similarity. Frantz Kafka in his deliberately unfinished novel, The Castle, questions the need to K as an expert. K can stay in town only if he ignores his unique abilities as a surveyor and become similar to others. The description of the town with its endless roads and boring houses can be compared with modernistic suburbs. Kafka also in his dialogue with his friend Gustave Yanush , in spite of an unpleasant description of Josefov, his childhood place in Prague; does not agree with what was replaced with it after reconstruction. He believes that old place had something real and genuine that new hygienic one does not have. Sadegh Hedayat, the famous conyemporary Iranian writer also describes a city which undoubtedly is not Tehran in 1950 decade. He, who educated and then lived in Paris for many years, has tried to show his conception of physical appearance of a changing industrial city and his negative feelings about it. Jean Paul Sartre in Nausea writes about his fictitious city Bouveill and its residents. By likening Bouveill residents to objects he tries to describe the mechanistic order of modernistic urbanism and the life of a completely predictable environment. Thus man, as the resident of modern city, struggling with alliance, boredom and loneliness; in a protesting reflection started to admire non-equilibrium, discord and ugliness. Ugliness gradually lost its meaning and thus, the aesthetic of ugliness emerged.This article seeks the effects and results of modernistic urbanism; first in contemporary literature and second in its urbanism, and tracing the solution in the late twentieth century`s styles.
دانلود کنید:
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عنوان (انگلیسی): Modern Urbanism Reflecting in Existentialistic Literature
نشریه: نشريه هنرهاي زيبا- معماري و شهرسازي
شماره: نشريه هنرهاي زيبا- معماري و شهرسازي (دوره: ۱، شماره: ۳۸)
نویسنده: مهرناز مولوي
چکیده:
با انقلاب صنعتي ماشين بر زندگي انسان غلبه كرد. در آغاز انسان شيفته ماشين شد. شيفته نظم، اتوماسيون و كارآيي آن . سپس سعي كرد اين نظم ماشين وار را بر زندگي خود منطبق كند و محيطي كاملاً منظم، پاكيزه و پيش بيني شده بسازد. بدين ترتيب شهرسازي مدرن پا به عرصه گذاشت. در مقايسه با محيط بي نور، بي هوا و آلوده ي دوران صنعتي شدن، شهرسازي مدرن نويد محيطي بهداشتي، ايمن و عادلانه را مي داد. اما انسان بتدريج احساس كرد اين محيط تميز و منظم، ساختگي، غير صميمي و حتي تهديد كننده است. انسان كم كم خود به مهره اي بدل مي شد كه مي‌بايست به عنوان جزئي از يك ماشين عظيم كه شهر مدرن ناميده مي شد، عمل كند. ازخودبيگانگي اولين دستاورد اين محيط بودكه يگانگي هر انسان را زير سئوال مي برد. سپس انسان در واكنشي اعتراضي شروع به تحسين عدم توازن، ناسازگاري و زشتي كرد. بتدريج زشتي معناي متعارف خود را از دست داد و بدين ترتيب زيبايي شناسي زشتي پديد آمد. اين مقاله درصدد است آثار و نتايج شهرسازي مدرنيستي را در ادبيات معاصر بررسي كرده و جستجوي راه حل را در سبك هاي اواخر قرن بيستم رديابي نمايد.
چکیده (انگلیسی):
Emerging of the industrial revolution caused the dominance of machine in man`s life. At the beginning, man was fascinated by machine; by its order, automation, and its efficiency. Then he tried to adapt this mechanistic order to his life and create a completely ordered, clean and predictable environment. Thus modern urbanism appeared. In comparison with dark, airless and contaminated industrial environment, modernistic urbanism promised a hygienic, safe and just one. However, man gradually felt that this clean and neat environment is artificial, insincere, and even threatening. Man himself was transforming to a knot which had to act as a small part of a huge machine named modern city. Alliance was the first product of this environment, which looked doubtfully to man`s uniqueness and demanded him only similarity. Emerging of the industrial revolution caused the dominance of machine in man`s life. At the beginning, man was fascinated by machine; by its order, automation, and its efficiency. Then he tried to adapt this mechanistic order to his life and create a completely ordered, clean and predictable environment. Thus modern urbanism appeared. In comparison with dark, airless and contaminated industrial environment, modernistic urbanism promised a hygienic, safe and just one. However, man gradually felt that this clean and neat environment is artificial, insincere, and even threatening. Man himself was transforming to a knot which had to act as a small part of a huge machine named modern city. Alliance was the first product of this environment, which looked doubtfully to man`s uniqueness and demanded him only similarity. Frantz Kafka in his deliberately unfinished novel, The Castle, questions the need to K as an expert. K can stay in town only if he ignores his unique abilities as a surveyor and become similar to others. The description of the town with its endless roads and boring houses can be compared with modernistic suburbs. Kafka also in his dialogue with his friend Gustave Yanush , in spite of an unpleasant description of Josefov, his childhood place in Prague; does not agree with what was replaced with it after reconstruction. He believes that old place had something real and genuine that new hygienic one does not have. Sadegh Hedayat, the famous conyemporary Iranian writer also describes a city which undoubtedly is not Tehran in 1950 decade. He, who educated and then lived in Paris for many years, has tried to show his conception of physical appearance of a changing industrial city and his negative feelings about it. Jean Paul Sartre in Nausea writes about his fictitious city Bouveill and its residents. By likening Bouveill residents to objects he tries to describe the mechanistic order of modernistic urbanism and the life of a completely predictable environment. Thus man, as the resident of modern city, struggling with alliance, boredom and loneliness; in a protesting reflection started to admire non-equilibrium, discord and ugliness. Ugliness gradually lost its meaning and thus, the aesthetic of ugliness emerged.This article seeks the effects and results of modernistic urbanism; first in contemporary literature and second in its urbanism, and tracing the solution in the late twentieth century`s styles.
دانلود کنید:
[attachment=1648]